Introduction
In our drama production we used the stimulus of the young boy Aylan Kurdi and how it had a social,cultural and historical effects it had. Aylan Kurdi was a three year old Syrian who was forced out of his own country due to the growing power of ISIS in Syria. Aylan Kurdi’s family fled in a plastic inflatable boat, which was making a dangerous journey across the Mediterranean sea.The plastic boat capsized and the family was washed ashore on a Turkish beach. Only the father this horrible incident.
We had been talking about the stigma around migrants and how they were not accepted by people. This showed us a in depth insight of how the migrants felt and the journey they took get be safe. we had seen pictures of the marshals carrying aylan kurdi away, we had seen news paper article talking about how aylan kurdi and his mum and brother and that is why we kept this idea of the pain and death us to put empathies on how the migrants felt.
Because of this in our performance we decided to use the central question “when home becomes unsafe were can you call home”. we created this central question because we thought about how the immigrants had to suddenly pick there stuff up and flee so that they were safe, because of this we wanted to see how the progression of the immigrants and how they tryed too find some place to call home.
from this we could have created a scenario were the migrant were settled down into a new home, but the stess of having to move and the media portraying them in a negative way, makes them feel more and more isolated causing them to feel like they cant accept there place they are living as home.one of the pros for this scenario could be that we could show how the media and the people wouldn’t want the migrants in their country. one of the cons for this scenario would be the fact that we wouldn’t be able to fully understand why they left there form country and what affects it had on them. Another pro would be that we could see how they couldn’t call anywhere home.
Item 1
In our performance we decided to use the situation of a family and how the son was remembering(the words “I remember” being a keyword) how his dad was arguing to his wife about how they weren’t going to leave even though they weren’t safe, the scene later turns into the mum and dad protecting there child from the bombs and gun shots , the son and the dad survive but the mum dies. the son the goes on to remember how him and his father made a treacherous journey towards somewhere safe, when they get there they finally find a home but then it symbolically crumbles in there hands.This idea came from the central question, which made us think about how the journey was for the migrants and how they had to struggle to find a home.We discarded a scenario were the migrants selling stuff illegally on the streets to make money, the reason why we didn’t choose this as one of the scene’s was because it wouldn’t really portray how the migrants in our scene try to find a home, it also wouldn’t make sense due to our central question.
In our rehearsed improvisation we used 4 characters, 3 of which are main characters: . Mum,Dad,son and a sick migrant
We wanted the mother figure to feel more of a sense of safety towards herself and towards her family. However the father figure was more towards keeping all of his family’s possessions safe than his family.In our production I played two people the sick migrant and the mum. I based the sick migrant character on the real Syrian migrants who also got sick travelling as they had no health care. When I played the mother figure I was challenge because I wanted to show how all the migrants felt towards their family and how they just wanted them to be safe.To play the sick migrant I had to show to he felt emotionally and physically drained so I was constantly griping my chest and wincing to show pain , I also was coughing. To play the mother figure I had to show fear of dying and anger which is kept back so I was not listening to what the father was saying and when he was shouting at me I kept head rest on my two fingers to show anguish.
We used improvisation in our first scene so that the it always was flowing and so there was awkward silences. this made our scene come across perfectly.our whole production show our central question well because we had key scenes which revolved around the felling home, and I think that our last scene showed to a full extent our central question.
item 2
.In my script the situation I decided to enter the father mind to explore his mental state and see how it was taking a tole on his life. To show this i started the scene with the father and son waiting in the immigration office , when the father suddenly drops and everything goes black the room lights up and he is standing there with the figure of his wife in the distance calling out to him wanting him to come back home, he do’s not believe that it is real. The father then comes back to the real world and his son is there waiting by his side.Later the son and the father are walking home when he faints again and he his back there still shackled to the wall, his wife tells him to let her go and leave all the thoughts and regrets he had on not leaving early enough, letting his wife die, his wife says her goodbyes and tells him to look after their son then she just disappears leaving a now conscience father laying on the street with his son next to him. I created this idea to be a continuation from my previous scene with my group, i wanted to show how the the the dad would still be tied to his home even though there was no remains of it. when people loving something they will always remember it so that is why i add the power of memory into it showing the complex situation with someone who has gone through massive stress or trauma.I wanted to add a scene with the father and the son sitting at the moms grave and the the dad was talking about how he was to blame for all of this, but I discarded this because I didn’t think that it would portray my central question which is “when home becomes unsafe were can you call home”.
.In my script there was three characters that I used, all three are connected because they are a family. the characters were:.the father, the figure(mother),the son the father character was a male character who was at first adamant about leaving home because this was his family home, everything that he knew and loved was in his home country, but he then regretted it because his home was destroyed and he lost his wife because of the war that was going on.this was an important to show the fathers regret because it made it easier show that he could forgive himself. the figure(mother) was a female character who had died in the first performance,due to the father not allowing them to leave, but in the script that i wrote she was more of an image of incarnate that the father had created in his mind making her more of a way to show that the father had not moved on. the son was male character of about the age of 8-9 year. the son in my script was a bit worried about what was happening to his son and wanted to know what was wrong. He had not been told in full detailed what was going on so he was a little naive to the situation. I developed these characters so that they were a more advanced versions of themselves in the original performance, in a sense that they had a different outlook on there situation like the dad who has in my script forgiven himself for anything that thought he may have caused. The father character was based on the loosely based on Aylan Kurdis father(Abdullah kurdi)
who made the the journey with his family over the Mediterranean sea to escape syria. The son was based upon Aylan Kurdi although he was a bit older.the mother was based on Abdullah Kurdi’s wife.
.I used improvisation in my scene so that my script was able to flow. it being able to flow aloud me to make sure there was no parts where a line or a stage direction didn’t make sense.I think that my script was good a showing my central question because I was able to show that even though you leave the home you had emotional and mental ties to you will always remember it.i order to strengthen the communication I had in my script I think I should have shown how leaving had a effect on the son and not just focus on the father.
Item 3
For my design I decided to draw a prop that would be used in my production from my script.The prop I choose to design was the chains from my script.The chains that I designed were thick so that it was able to restrain the father , the chains were also entwined .The reason I chose this design idea was that I wanted to communicate how the father still had a strong unbreakable bond to his life that he left behind. There is a symbolic meaning behind the chains.The chains represent everything that the father lest behind, having them tied the father makes this thought become stronger .

.This image shows a dead solider in the trenches lying there while his comrades look on. .the image might communicate how the life on the front-line was dangerous. it could also show how you can go into the war with the fear of not returning. .I think that this image compliments our scene because our scene was German soldiers dead in the trenches .the image creates a sad and depressing mood because it shows death.
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